I think of parts of this song sometimes like a schoolyard chant; the first part came to me while I was at my previous job (I had a lot of idle time on slow nights). The message of this little diddy is, I know what I am looking for and don’t you tell me different *headswivel
This feels more like Real Talk…ah, maybe I need a new category?
______
“What I Want”
Three little girls sitting a tree Birds didn’t know what they heard But the beat was rockin’ They didn’t mind bein’ disturbed
Ever since I could tie my shoe
And kick ass at four square
I wasn’t like the others
Sycophants couldn’t compare
They were hoping for Cupid
I found I didn’t care
‘Cause what I want is bigger than his name in a heart
What I want won’t fit in my shopping cart
From the clearance bin at Wal-Mart
Or dance on my screen when I press start
So hey (yeah) you (uh huh)
You say you do what you please
But no (ho) oh no (no oh)
Looks like you’re on your knees
Three little girls walkin’ down the street Voices high to spread the word Even motes were hoppin’ No one cared they were perturbed
I had a frog a time or two
Made me wanna be a nun
Too bad – woe is they
‘Cause I’m made of sterner stuff
Not gonna stick when it’s dire
Don’t need a bloke to have fun
Cuz what I want is better than rattling box springs
What I want is better than matching rings
What I want is not on that list of small things
That make up fancy flights and pipe dreams
So hey (yeah) you (uh huh)
You say you are emancipated
But no (ho) oh no (no oh)
Looks like you’re constipated
Three little girls rockin’ to the beat Walls shakin’ enough to crash No one’s keeping their seat Girls holler back as they ask
So hey (yeah) you (uh huh)
You say you’re elated?
But no (ho) oh no (no oh)
Why you still hanging on to that jerk you dated?
‘Cause what you want is better than him
Than the nights you spent in the dim
Wallowing low in the grim
Wondering if he was really out with his friends
So hey (yeah) you (uh huh)
When are you gonna get the point?
It’s time you get what you want
Quentin Tarantino is a genius in my opinion. If Kill Bill does not properly demonstrate his creative dexterity, I don’t know what does. (Though I am wondering how Django Unchained will turn out; damn right I’m gonna see it!) The allure of Kill Bill, in my opinion, lies in the tale of Beatrix Kiddo, the Bride. That first image of her lying on the ground, panting and bloody, coupled with the polarity of her at the end, still panting and bloody but stronger now, piques the mind of a girl like me. I can only wish to create a character as compelling as the one Uma Thurman brought to life.
Kill Bill entered my life in 2003 when I was a freshman in college and dating a man who was nearly a decade older than I was. He was my first in everything. I was young. I loved him.
So you can guess I was pissed when I found out he was cheating on me. Bastard! oh well.
So I did what any nerd girl writer who has been jilted would do. I wrote a story about it. Fictional but inspired by actual events. Like to hear it? Hear it go!
_____________
Prelude
The pain she felt was like oppression. It tied down her every muscle, every tendon, and it felt like a thousand agonies when she turned and lifted her head to look at her assailant. The smug look in his brown eyes—brown eyes could at one time stare into endlessly and thought were beautiful—burned some of that pain away as adrenaline made its healing track through her veins.
She was down right now, being held down by one of her assailant’s henchmen, but she wasn’t going to stay down. It wasn’t her way.
It had been a strange set of events that had landed her at this moment. One night, she’d stumbled upon the indiscretions this same man standing over her with a gun in his only hand. He had been cheating on her for several months, and when she had tried to show her disapproval in a more physical manner (by kicking his ass), his bodyguards had surfaced to remove her from scene. In the attempt to shake her down, they were accosted by two guys and a curly-haired brunette who kicked their beefy, overpaid and pampered asses. For their good deed, she found herself repaying the deed by becoming a domestic in the infamous Munsey House. Before she had realized what she was doing, she had ended up inadvertently making friends with some of her deceitful ex-boyfriend’s mortal enemies. Not to mention living in the spacious mansion of one.
It was a small world, after all.
But her experiences there were not without their lessons. Karate lessons, to be precise. By day, she picked up after a man she hardly saw in the light of day without incident and his baby sister, who had become her best friend. And by night, she strengthened her body and mind with martial arts. It didn’t take long before the idea of revenge blossomed in her head. (Too bad she hadn’t read the disclaimer about the consequences. Would have helped, wouldn’t it?)
“So you thought that you were going to drop in here like some kind of fucking superhero and beat me didn’t you?” he asked, his voice echoing throughout the high-ceilinged room. Her nostrils flared out of anger, but she didn’t answer. She didn’t feel like dignifying that with an answer—which was enough for him. He cackled and stepped around her. He’s really getting off on this beating me down and shit, she mused. She glared at his pricey leather loafers spotted with blood and tried not to think about whose blood that was. Fucker.
As if he could read her ill thoughts about him, he placed his foot deliberately on her flattened hand. She heard the crush and crackle of her own bones and thought of something else to avenge.
“Leave her alone!” cried the girl tied up in the chair behind him. The reason why she was here. She tried not to look at the blonde because the bruises and cuts on her beautiful face would have angered her past any rational thought. And she had to keep her head in the game as much as she could. “You’ve hurt her enough.”
As if the young blonde with the large blue eyes in bondage were a mere fly skimming across his coveted morning cup of Maxwell House coffee, he flicked a hand at one of his associates. Her indignant cries were soon silenced with duct tape. Anger burned in her belly at the sound of the blonde struggling against the rope and tape. She added that to the list of things he would surely pay for.
Once that little irritation was taken care of, he looked down at her and continued speaking in that same impudent tone.
“I must say, I didn’t think you were capable of even getting in here,” he admitted as he paced around her body. “You were never known for your fighting skills. Always were a scaredy cat.” He tapped his chin pensively with the tip of the gun barrel. “I guess you’ve changed it up a little. But not enough to beat me, baby.”
Goddamn. He called her baby. He had some nerve. But that was the kind of smart-ass thing he was famous for. “You forgot,” she said in a deep, husky voice that shocked herself and dimly made her think of Uma Thurman in Kill Bill, “we fought before and it didn’t have such a favorable outcome for you.” She mustered up some buried defiance and smugness of her own. “You’re still missing a hand, aren’t you?”
Above her head somewhere, she heard someone snicker in the silence that had fallen. Her lips curved at that sound. She heard his yells for quiet and the sound of a fist making contact on flesh. Rapid footsteps echoed around her then she felt the toe of his shoe in her ribs. She gritted her teeth against the pain as it assaulted her body again. Instead of focusing on the pain, she fixated on the triumph of it. She’d wounded him without lifting a finger and he’d lashed out at her because of it. Sticks and stones her newly toned ass.
“Shut up!” he yelled at her tense, prostrate form. “You shut up before I kick you again.”
“The truth hurts, doesn’t it?” she inquired, listening to his heavy breaths as she rode on her triumph. Prudence told her to stay quiet and bide her time until the others made it there, but her mouth ran on despite itself. Come on cavalry! Anytime now… “I may be down on the ground here about to die but you’ll live on with the knowledge that I amputated you. I made you a cripple with a mere flick of my wrist. I cut off your calculating, cheating, fornicating right hand—and it felt so fucking good.”
“It’s not going to feel good when I kill you, you can be sure of that,” he spat at her. “That motherfucker Mark Munsey is going to regret the day he sent you after me, bitch.”
“Mark has nothing to do with this,” she said firmly. “So putting him into the middle is not going to justify what you’re doing.”
He chuckled sardonically at her statement. “Oh don’t even go there. You’re a tool to him, just as much as the women he plays with on a daily basis.” At that, the blonde tried to refute the claims about her big brother, but they only came out as a string of intelligible, muffled words. A nudge with a semiautomatic had her going quiet. “He used you to get back at me because you are too easily manipulated to think for yourself. You were a tool that fell right into his hands. You mean shit to him.”
Even though she knew intellectually that he only spoke those words to get under her skin, the possibility of the veracity in them burned her. She thought of the seemingly unflappable, sometimes aloof, and shrewd young man in question and found that she didn’t know what he was capable of. And that one fact almost loosened her grip on everything she’d built during the past several months. Hastily, she pushed it aside, knowing that it was best handled later when she got prove it herself. She would make sure that there was a later, somehow.
“Oh look,” he said, tone mocking. “It looks like I’ve shut her up.”
“Say what you want about him,” she found herself saying, “but at least he’s honorable enough not to make me promises he knows he can’t keep. As I recall, that was a bit of a problem with you.”
“Comparing me with that asshole is not going to wound me.”
She couldn’t help it. She had to say it. “Well, there’s that and then the fact that he’s still got both hands.”
In response to that little fleshy barb, he dug the toe of his shoe into her hurt ribs, flashing a feral smile as she tensed in her effort not to show her pain. He tilted his head thoughtfully. “I think we oughta send him a package for his efforts, don’t you think?” His brown orbs gleamed with malice and she could see the intent in them. “Every good deed should have its reward.”
“It’s the golden rule,” she murmured. “And so then you’ll get yours. Be sure of it.”
He shoved her onto her back so that she stared up into his face. The sudden movement had her taking a sharply indrawn breath. A part of her realized at that moment that her own death was imminent, but the rest of her didn’t care. Death did not scare her. The only thing that infuriated now was not Death—it would not be culpable. No—this bastard would be at fault for bringing her to Death.
“No,” he corrected her arrogantly. “You are gonna get yours.” He aimed the gun at her head and the blonde’s muffled screams of protest pierced the air. “You’re gonna die knowing I bested you. Fuck my right hand. I got the last laugh. Good night, bitch.”
I know! It’s the holidays! This is sooo bad. But I need an Inner Bitch Moment. Comin’ up, amigos!
It’s June 2011. I had just gotten home from the first (and only) date I had with a guy I had met online. (I can feel you all rolling your eyes. I hardly blame you.) He happened to matriculate at my alma mater, which was kind of known as a party school. So he thought I was of a certain caliber. Being a rather diligent student in undergrad, I ended up disappointing him. Poor baby.
I went home, channeled my inner Maggie Mallone, and here we are!
If I had any musical talent, I would record this (and “What I Want”–what? Soon, promise). But oh well.
____________
“I Am Not the One You Want”
Wanna give you this PSA
It’s just better before
I wear too many layers When the temperature starts to soar In the middle of the party I want a corner where I can snore Oh surprise, you find yourself Talking me into acting like a whore (Spoken: It’s been a while, damn!) But when it gets To the sticking point I’m just a bore
Here’s the news flash You’ll get it when your head’s out of your ass I am not the one you want
I can use Twenty-dollar words I learned in school But if you wanna get ahead You’re not gonna use me as a tool Try and get me mad I’ve got a handle on this glacier cool (Spoken: You done lost your mind) Mama taught me well So I won’t stoop to act a damn fool
Here’s the real —- Maybe if you open your eyes it would transmit I am not the one you want
So walk on I’m looking for an actual man You’re mistaken ‘Cause you’re really less than Anything I want Is gonna do more than entertain (Spoken: Aw, that’s really cute) And I don’t have the time To sit through anything you’re gonna feign
Here’s the deal, love I’m getting zilch in the sec it takes you to come You are not the one I want
Don’t be upset With this verisimilitude It’s constructed From the stink of your attitude So excuse me If I possess this sudden latitude (Spoken: On my level–please!) If you left right now We could end on an air of gratitude
One more time, just to make it done You are not the one I am not the one you want
Watching from the shadows an injustice so brutal— It cleaves the heart from atrium to ventricle. Everyday something new bursts the breath From that internal balloon, leaving flatness in its wake. Brief moments of refuge are taken clandestine For now nothing is quite sacred or private— Sleep is even elusive, and there are no dreams To provide a vibrant escape from consciousness.
However there is a place, happily and blithely kept, That provides a space for open hearts and minds That are ingeniously crafted of a particular mettle. Affection and Caring gush from every crevice— There is no one person in the world who more deserves The sense of tender welcome that never wears thin, For it provides the sustenance to surge ahead And break oneself from insidious imprisonment.
The foundation has been forged, 608 days strong, And day after laborious day the building blocks are Gently added by hand, a careful work of camaraderie That is accommodating for every sort of emotion And permutation of liking in human existence, Standing discreetly in the distance, out of the way, Able to easily be reached by a leisurely walk down A path filled with beauty anywhere else unimaginable.
For the valiant heart, the soldier who has not lost The deadly weapons he has in a forgotten arsenal, For the artistic mind, the poet who has not mislaid The intrinsic words he has in a secret place, For the attentive soul, the gentleman who has not squandered The amiable ways he lavishes on those around him, This is the truth from my heart.
The story of Mark and Abby is probably one I will tell someday, and probably because of this scene. In my head, I can see Michael Vartan and Trini Alvarado all dolled up for this exchange. (Yeah, I know–a pipe dream for sure!) I think Mark Perry might make an appearance in Midnight Moon; I haven’t decided yet. But this scene chokes me up a little, knowing what is going to happen, with “Everytime” playing in the background.
__________________
Notice me
Take my hand
Why are we strangers when
Our love is strong?
Why carry on without me?
PRELUDE in the dark of night
The light of the world was dim that night. The aforementioned world around was drenched in the wet darkness, and while the streetlights lighted their way as they returned home in stony silence, the blackness prevailed on the edges where the shadows lurked.
The sound of the engine working was the only sound between them. The volume on the radio was turned down to an indecipherable jumble; the silence that filled the car was the outcome of many nights of neglect, miscommunication, and senseless shouting. He could sense her frustration radiating from her like body heat, mingling with the bittersweet scent of her perfume. Memories clouded his head like a shroud; he wanted nothing more than to be back in the past where acrimony was a dim, fuzzy iceberg in the far, far away future that could not hurt them.
She on the other hand felt the pressing weight of responsibility on her shoulders. She was more practical about some things than her overwrought and slightly romantic husband. She had felt the end of things coming on for so long but for different reasons. As she stared at the road passing beneath them, she only felt sorrow she could not pinpoint the cause of. The frustration he’d felt coming off of her had faded away.
With a flustered sigh, he spoke first. Even though he had a reputation for waiting out even the most stubborn criminals, he could not do the same with his wife.
“I’m sorry for being late, Abby,” he said in a voice that belied his statement slightly. “The interrogation ran late and–”
In an even tone that hinted at years of upper-class training, Abby merely said, “You don’t have to apologize. After all, it is your job, right? And lord forbid I resent you for doing your job, Mark.”
Mark sighed and resisted the urge to rip the steering wheel from the console. All of their conversations on the subject of Mark’s demanding workload started off this way, with him apologizing (but not really) and her telling him not to apologize (but again not really). And it was even worse on nights like this when Mark unwittingly embarrassed his wife with his tardiness, where duty for occupation or spouse fought for precedence inside of him.
“Every time,” Mark found himself saying. “Every time I apologize you talk to me in that tone–”
“What tone, Mark?” Abby demanded. “I’m sorry that my frustration over the fact that it is apparent that care about serving justice more than you care about me bleeds through whenever you offer up some half-assed apology. I really am.”
“That was not a half-assed apology.” Soft fabric rustled as Abby shifted under the seatbelt right next to him. She didn’t seem convinced. Mark exhaled and forced the anger that was threatening to take him over to a safe distance. As the light over them turned red, Mark tapped the brakes. He placed a hand on his wife’s, and their eyes locked involuntarily.
“Abigail,” Mark began, as his anger had dispersed and affection surfaced. Abby’s green eyes softened and her hand shifted to be palm to palm with his.
Her mouth parted, but he would never know what she intended to say. Right at the moment, the light turned green–and the car behind them, overzealous, smashed into their rear bumper. The force propelled them forward into the intersection. Inside the car, Mark cursed inwardly but turned to his wife.
“Are you okay?” Mark inquired. Abby dazedly blinked at him. “It’s going to be–”
Headlights from Abby’s side flashed toward them. Her panicked scream would torment him for the rest of his days.
Oh, Heart–why is it that you can never lie still When he lifts his eyes to mine and flashes a smile? Intellect ardently yells its disapproval from above And warns you smartly of a painful demise. But you tremble on, relishing the warmth and light That chases the chill and gloom inside you away.
Oh, Heart–why is it that you can never resist that tug of gravity When he opens his arms and wraps them around me? Sense fervently tells you not to fall for the pretense That traps unsuspecting young women against temptation. Yet you tumble down, loving the sensation of Being Heart to his Heart.
Oh, Heart–why is it that you can never let me sleep peacefully While of plaguing me with thoughts I cannot cease? I am too old for romantic daydreams and flights of fancy But the girl in me surfaces in the twilight and wishes That once, just this once, his Heart felt the same as you.
And Heart–I honestly cannot blame you for sighing When his lips touch mine in goodbye. Sense even understands the affection in the gesture. But Heart, you take it upon yourself to intensify its meaning Until he and I are almost betrothed, offering up I-love-yous Over matching his and hers bath towels. Seriously? Not a chance, Heart.
Yes, I know Sense and Intellect are aligned with Pessimism and Doubt And you’d rather not heed their constant warnings Coupled with their good intentions. You’d rather ignore Their reasoning and barrel on blindly, believing that Perhaps things are better your way. The possible truth is Too hard to reconcile, to hard to accept.
I have grown up in a world where Sense and Intellect Are supposed to better dictate my actions (for the most part, anyway) And there has not been much room for you, Heart. But you are too stubborn to be ignored, too insistent to be Concealed, and before I know it, I am floored By the tenderness in his embrace–dammit, I feel you–and I sigh. Well.
I think you’ve gotten me in trouble. Because I have with the slightest fear That despite all of my Sense and Intellect and Pessimism and Doubt I have much, much more Heart than I need.
Santa Daniella La Historia de Danie Thomas (Tomas)
LOS PERSONAJES El personaje principal, Daniella Sus hermanas, Jessica, Claudia, Moira, y Gretchen Las amigas de Gretchen,Megami, Melanie, y Cristiane (Christine) Sus padres quienes son divorciados,Irene y Roberto (Robert) Sus tías, Elisa (Elizabeth) y Rebeca (Rebecca) Sus primas,Casandra (Cassandra), Samantha, y Jennifer El fotógrafo de Libre, Aidan Bloom
La editora de Libre, Melissa Buckley Su hermano, Eric Su mejor amiga, Charlene La amiga nueva,Miranda La esposa nueva de Roberto, Maria (Mary) Las hijas de Daniella quienes son gemelas,Shannon y Abigail Los padres nuevos de las gemelas,Victoria y Harlan Taylor
ACTO UNO
ESCENA SEGUNDA (En la cocina, Irene, la madre de Danie, está hablando con sus hermanas. El pastel de cumpleaños está encima de la mesa. Dice, “¡Feliz cumpleaños a Claudia, Moira, Danie, y Gretchen!”)
Rebeca: Este pastel me parece muy bien, Irene. Las chicas van a enamorarlo.
Irene: Eso fue mi intención. (Suspirando) Mis hijas necesitan un buen cumpleaños. Espero que este pastel nos ayude.
Elisa: Estoy de acuerdo, hermanita. Honestamente, Irene, yo creo que debiste abandonar ese…ese hombre hace mucho tiempo.
Irene: Yo sé eso, hermana. ¿Pensaste que nunca lo pensé? Yo espero que no. Soy una mamá más mejor que eso.
Elisa: Hermanita, no pienso que tú eres una mamá mala. Nunca pensé que tú eras una mamá mala. Tus hijas te quieren por siempre. Lo sé.
(Irene la da una sonrisa pequeña y empieza a preparar el desayuno.)
Elisa: Por supuesto, el hecho que Jessica te había defendido es prueba que tus hijas caminarían encima del océano para tú.
Rebeca: O darían su padre un puñetazo a la nariz…
(Irene se ríe.)
Irene: ¿Qué hora será?
Elisa: Serán siete y media, yo supongo.
Irene: Ay, tengo que despertarse a mis hijas—
(Un grito viene de arriba. Las risas tontas vienen después. Irene deja caer su cuchillo.)
Rebeca: ¿Qué fue eso?
Irene: No sé, pero—
(Danie anda en la cocina con una cara roja. Está muy enojada.)
Irene: ¿Daniella, qué pasó?
Danie: ¡Esas mocosas destruyeron mi dormida! ¡Pu…pu…pusieron una serpiente de un jardín en mi cama!
(Unos momentos luego, tres chicas andan en la cocina. Dos de las chicas tienen pelo negro y la otra tiene pelo castaño rojizo. La chica con el pelo castaño rojizo la mira con ira a Danie.)
Moira: ¿Qué está pasando aquí?
Claudia: Oímos algo que nos despertamos. ¿Todas están bien?
Irene: Pues…tu hermana… Tu hermana está teniendo dificultades con las amigas de tu hermanita.
Danie:(Más enojada) ¡Esas mocosas!
Jessica: (La chica con el pelo castaño rojizo) Hermanita, ¡¿está loca?! Son las siete en la mañana. ¡Tú puedes despertarse los muertos!
Danie:(Mirando con ira a Jessica) ¡Tu hermana menor y sus amigas pusieron una serpiente de un jardín en mi cama!
Jessica:(Suspirando) Daniella. Tranquilízate. O te estrangularé.
Danie:(Gritando) Tú no me estrangularías. (A Irene) Mamá, ¡haz algo!
Jessica: ¿Qué yo dije? Mira, hermanita, tú necesitas tranquilizar.
Irene: ¡Gretchen! ¡Ven aquí ahora!
(Silencio. Gretchen viene en la cocina con Megami, Melanie, y Cristiane.)
Irene: Chicas, ¿pusieron una serpiente en la cama de Danie?
(Más silencio.)
Irene: (Severamente) Gretchen—
Gretchen: (Tranquilamente) Si, Mama. Pusimos una serpiente en la cama de Danie.
Danie: Yo voy a morirte—
Jessica: Daniella Elizabeth—
Danie: ¡No me digas lo que hacer!
Jessica: ¡Yo puedo decirte lo que hacer si yo quiera!
Claudia: ¡SILENCIO!
(Todas no hablan.)
Claudia: Gretchen, pide perdón a Danie. Danie, acepta su disculpa. Y Jessica, no la digas lo que debe hacer por una vez en tu vida. Para el amor del Dios, ¿podemos tener un cumpleaños decente?
Moira: Claudia tiene un punto.
(Silencio.)
Gretchen: Lo siento, Danie.
Danie: Acepto.
Irene: Bueno. (Pone su brazo en torno a los hombros de Danie y Gretchen.) Yo espero que podamos divertirnos.
Kids, stay in school. There. My public service announcement for the day.
It vexes me to say this, but here it goes: while in college, I attempted to get a minor in Spanish (I believe everyone should be bilingual or multilingual, you know?) but I punked out my last semester and ended up short two classes. So I carry the shame of taking the time to take upper level Spanish courses and yielding nothing. Well, except this.
I started this during that mind-fermenting time period and I hope to finish it someday. (Find it funny this is about Danie.)
So put this in your Google Translate and smoke it! Ha. Jesting.
__________________
Santa Daniella La Historia de Danie Thomas (Tomas)
LOS PERSONAJES El personaje principal, Daniella Sus hermanas, Jessica, Claudia, Moira, y Gretchen Las amigas de Gretchen,Megami, Melanie, y Cristiane (Christine) Sus padres quienes son divorciados,Irene y Roberto (Robert) Sus tías, Elisa (Elizabeth) y Rebeca (Rebecca) Sus primas,Casandra (Cassandra), Samantha, y Jennifer El fotógrafo de Libre, Aidan Bloom
La editora de Libre, Melissa Buckley Su hermano, Eric Su mejor amiga, Charlene La amiga nueva,Miranda La esposa nueva de Roberto, Maria (Mary) Las hijas de Daniella quienes son gemelas,Shannon y Abigail Los padres nuevos de las gemelas,Victoria y Harlan Taylor
NOTAS DE LA AUTORA 1. El nombre de Megami significa “diosa” en japonés.
ACTO UNO
ESCENA PRIMERA (Nuestra historia empieza en una casa tranquila. Son las siete en la mañana. Las cinco hermanas de la familia Tomás están durmiendo…pues, nosotros pensamos que ellas están durmiendo, pero la más pequeña de las hermanas ha ido a hurtadillas en el cuarto de su hermana con sus mejores amigas, Cristiane, Megami, y Melanie. Daniella está durmiendo en su cama. El cuarto de Daniella es oscuro. Gretchen pone un dedo a los labios y camina a la cama.)
Melanie:(En un susurro) ¿Es ella dormida?
(Danie bufa en su dormida.)
Gretchen: Sí. Ella está durmiendo como una piedra. (A Megami) ¿Lo tienes?
Megami: (Con una sonrisa) ¡Claro que si! Nunca olvido redención.
Cristiane: Este es una idea muy mala.
Gretchen: (Dando una palmada a Cristiane en su espalda) ¡Baka! ¿Vas a ayudarnos a hacerlo o no? ¡Si no, sal ahora!
Cristiane: (Enojada) Tú no eres una buena amiga.
Melanie: ¡Cierra la boca! ¡Ella puede despertarse!
(Silencia.)
Gretchen:(A todas) ¿Están listos?
(Melanie y Megami contestan “sí.”)
Gretchen: Bueno. Házlo, Megami-chan.
(Megami saca una serpiente del jardín de Irene. Melanie alza la manta de Danie y lo pone al lado de la pierna de Danie. Melanie, Megami, y Gretchen se ríen y salen del cuarto con Cristiane. Fuera de la puerta, Gretchen habla.)
Gretchen: Bueno. Es terminado. Debemos ir atrás a cama antes Danie se levante.
Cristiane: Creo que este es una cosa mala que hicimos a Danie.
(Las otras chicas la empujan al cuarto de Gretchen para tener una discusión.)
Melanie: Mira, Cristiane, tu sabes que a Danie no la gustamos. Yo digo que ella lo merece.
Cristiane: No estoy de acuerdo. No creo que Danie merezca eso. ¿Por que no lo olvidan y la perdonan?
Melanie: Es obvio, Cristiane.
Megami: ¡Si! Danie es cruel a nosotros. Necesita aprender una lección, en mi opinión. Danie piensa que es tan importante porque tiene un contrato con eso agencia de los modelos. (En una voz aguda) “Mi nombre es Daniella Tomas y no desayuno esta mañana. ¿Qué es tu nombre? Quizás tú puedes ser mi novio si no desayunes también.”
(Gretchen y Melanie se ríen. Cristiane la mira con ira a Megami.)
Cristiane: Todavía creo que se llevamos bien con Danie. Ella habla sobre nosotros malamente porque tiene esa amiga cruel.
Megami: ¿Ay, Charlene, ne?
Cristiane: Exactamente. Esta chica…es muy mala. A Charlene no le gustamos y no permite que Danie piense diferentemente.
Megami: Charlene es como un gato con un actitud malo.
Melanie: Un perro macho es lo que ella es como, tú quieres decir.
Gretchen: Chicas, no debemos continuar a decir sobre esto. ¡Es mi cumpleaños! Honestamente, yo espero que hablemos sobre otras cosas.
Melanie: Buena idea.
Megami: Yo creo que debemos decir sobre muchachos.